Bibliography & Filmography

Bibliography

Ackroyd, P. (1979), Dressing Up: Transvestism and Drag: The History of an Obsession, Thames and Hudson: Great Britain.

 

Adelman, J. 'Making Defect Perfection: Shakespeare and the One-Sex Model' in Comensoli, V. and Russell, A. (ed.) Enacting Gender of the English Renaissance Stage, Urbana- University of Illinois Press (1999) Pg. 23-52.

 

Bailey, A. (2007), Flaunting: Style and the Subversive male body in Renaissance England. University of Toronto Press Incorporated: Toronto.

Blackemore Evans, G. (1990) Elizabethan-Jacobean Drama: The Theatre in Its Time New Amsterdam Books, New York.

Cordner,  M. and Holland, P. (ed.) (2007) Players, playwrights, Playhouses: Investigating Performance, 1660-1800. Palgrave Macmillan: Great Britain.

Fernald, M. and Shenton, E. (2006) Historic Costumes and How to Make Them, Dover Publications, Inc: New York.
 

Garber, M. (1992) Vested Interests: Cross-dressing & Cultural Anxiety. Routledge: United States of America.

 

Hudson, K. (1971) The Story of the Elizabethan Boy-ActorsOxford University Press: London.

Jones, A.R & Stallybrass, P. (2000), ‘Yellow starch: fabrications of the Jacobean court’ in Renaissance Clothing and the Materials of Memory, Cambridge University Press: UK. Pg. 59-86.
 

Jones, A.R & Stallybrass, P. (2000), ‘Transvestism and the “body beneath”: speculating on the boy actor’ in Renaissance Clothing and the Materials of Memory, Cambridge University Press: UK. Pg. 207-219.

Levine, L. (1994) Men in Women’s clothing: Anti-theatricality and effeminization 1579-1642. Cambridge University Press: Great Britain.

Marly, D.D. (1982), Costume on the Stage 1600-1940, B.T. Batsford Ltd: London.

Munro, L. (2005) Children of the Queen’s Revels: A Jacobean Theatre Repertory, Cambridge University Press: Great Britain.

Nicoll, A. (1963), Stuart Masques: And the Renaissance Stage, Benjamin Blom Inc: New York.

Shapiro, M. 'The Introduction of Actresses in England: Delay or Defensiveness?' in Comensoli, V. and Russell, A. (ed.) Enacting Gender of the English Renaissance Stage, Urbana- University of Illinois Press (1999) Pg. 176-185. 

Solomon, A. (2004) ‘Much virtue in if: Shakespeare’s cross-dressed boy-actresses and the non-illusory stage’ in Re-Dressing the Canon: Essays on theatre and gender, London: Routledge. Pg. 21 – 45.

Stallybrass, P. 'Transvestism and the ‘body beneath’ Speculating on the boy actor' in Zimmerman, S. (ed.). Erotic Politics: Desire on the Renaissance Stage, London: Routledge. (1992) Pg. 50-6. 

Vincent, S. (2003) Dressing the elite: Clothes in Early Modern England, Berg Publishers, New York.

 

Vincent, S.J, (2009), The Anatomy of Fashion: Dressing the body from the Renaissance to Today. Oxford: New York.

 

Zarralli, P.B, McConachie, B., Williams, G.J, Sorgenfrei, C.F. (ed) (2006) ‘Theatre and the state in England, 1600-1660’ in Theatre Histories: An Introduction. Routledge: Great Britain.

Zarralli, P.B, McConachie, B., Williams, G.J, Sorgenfrei, C.F. (ed) (2006) ‘Homoerotic desire and the boy actors’ in Theatre Histories: An Introduction. Routledge: Great Britain.

Filmography

 Orlando (Sally Potter, UK/Russia/France/Italy/Netherlands: 1992)
 
Shakespeare in Love (John Madden, USA/UK: 1998)